General and advanced GUI features Īlthough Harmor is internally an additive synthesizer, most of its controls found on the main GUI are presented in a way that is familiar to subtractive synthesis users. This is the reason why Image-Line calls it an additive / subtractive synthesizer. "RHODES" is a registered trademark of Joseph A Brandstetter.Starting off at the top left of the interface, two timbres, a saw and square wave, can be morphed or used independently when creating a sound. Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. Any goodwill attached to those brands rest with the brand owner. Plugin Boutique do not have (nor do they claim) any association with or endorsement by these brands. For example references to instrument brands are provided to describe the sound of the instrument and/or the instrument used in the sample. DirectSound or ASIO compatible soundcardĪny references to any brands on this site/page, including reference to brands and instruments, are provided for description purposes only.
Best free harmor vst full#
Two independent parts (or “layers”) for even more complex sounds. Convert this to an image and edit each partial individually! Import a piece of audio and time-stretch or pitch-shift it (with formant and transient preservation). Resynthesis or image-synthesis, Harmor features both. Processing being multi-threaded, extra CPU cores come in handy. Voices may be generating hundreds of harmonics in parallel and still not overload the CPU. Its efficency is in fact, comparable to that of subtractive synthesizers. Resynthesis can of course be tweaked, providing time stretching, pitch shifting, or less conventional manipulations of partials.And of course, the result of the analysis can still be turned into an image for further editing.Īdditive synthesis is generally very CPU-consuming, but not Harmor's engine.
The reproduction will be faithful, not a vague sound-alike as in many additive synthesizers. Get access to gain & pitch planes which you can tweak in the image editor of your choice, and import any bitmap, even if it wasn't designed to be turned into audio, it might still sound interesting.īeing an additive synthesizer, Harmor can resynthesize audio files as well. No human can (or even wants to) edit 500 envelopes, but editing 2D images, that we can do easily. If you need one of the 2 filter units processed after the blur unit, that's no problem.īecause it typically requires manipulating large amounts (up to 500 per voice) of partials over time, additive synthesis is hard to handle.
Through the same envelope/mappings, randomize any parameter or link it to key or velocity, and even fine-tune each unison voice independently.Processing units can be rearranged in a semi-modular way. You wanted more, so also featured is the multipoint envelope editor of Sytrus fame, applied to over 40 parameters, in 2 independent parts.
You don't just select filter types, you draw them. Its modules will look familiar to subtractive synthesizer enthusiasts: oscillators, filters & phasers, these are featured in Harmor but, because performed through additive synthesis, offer more freedom. Just like its little brother Harmless, Harmor is driven by a powerful additive synthesis engine. Introducing a powerful additive / subtractive synthesizer, image synthesizer as well as audio resynthesizer, Harmor.
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Note - This software is Windows compatible only and will not function on Mac computers!